Porky the Giant Killer

Since all the cartoon geek rage is over lost footage from a Ben Hardaway-Cal Dalton cartoon, I’ll have to be your friendly neighborhood curmudgeon: that unit’s cartoons, on the whole, are pretty bad. I’ll give them that Hare-Um Scare-Um is pretty fun for its artless execution, and that it was basically retooled (rephrase that; overhauled) for A Wild Hare by Tex Avery. But the rest of their cartoons fit the mold of the 1939 season of Warner shorts: auto-pilot. With a few exceptions (Thugs with Dirty Mugs and Porky’s Tire Trouble are the only two that come to mind), it was a very weak year for the studio. It’d be interesting to find out why there was a studio-wide string of mediocrity that year, but it’s probably too late in history to find out (if you need a memory refresher, see how many classics are listed here). It’s very, very telling that Leon Schlesinger immediately gave Friz Freleng his job (and the same exact unit) back after his foray at MGM.

Here is one of those Hardaway-Daltons that was a bane of my youth. Porky the Giant Killer must have been played at least once a week on Nickelodeon (or at least it was on every time I watched it). It’s fairly meandering and unfunny, lacking the charm and fun that even Bob Clampett’s worst Porkys have (and around this time, a few of Clampett’s worst were indeed made). I sent a disc of this and other cartoons to Mike Kazaleh awhile ago, and he tells me that Rod Scribner animated the scene with the bottle nipple.

No Brave Little Tailor this be, says I.

[dailymotion id=x94lpg]

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A Sarah Palin Reference We All Missed

Starts at around 5:31. I’m ashamed of myself (and everyone else) for not thinking of putting up framegrabs of Mama Bear shooting aimlessly at Papa Bear with the moose-head during the election. I love how her and Junyer’s first instinct is to kill the moose. This cartoon is the medium at its best. There’s no need to elaborate because it speaks for itself. It makes me cry that cartoons will never be this good again.

[youtube=http://www.youtube.com/watch?v=L46AzjwwDPo&hl=en&fs=1]

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Dhave!

davethadThat’s me with David Gerstein (both of us sporting sexy t-shirts of cartoon characters nobody gives a shit about). David has a blog. Go visit it. NOW. One of his first posts is about a Warner cartoon ending I told him probably didn’t exist. I’ve been proven wrong. One of the nicest things about being proven wrong by David Gerstein is that you’ll hear about it once, but that’s the end of it.

David is one of the most generous animation/comics guys out there and his blog will be a reflection of it. David’s own non-cartoon shenanigans in real life are just as interesting as anything he’ll post, but as Lou Jacobi says in Irma La Douce, “that’s another story.”

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Always Love Thy Neighbor, Doodle-Oodle-Loodle-Doodle-Doo

The Fox and Crow: the characters the Columbia studio accidentally got right (but only a few times).

This is probably the best of the post-Tashlin shorts, the underrated Bob Wickersham’s Mr. Moocher. The characters here are fully-realized, with interesting, discernible traits. We want to learn more about who these guys are and see them in more cartoons, which is not a feeling we get in other F&C cartoons. The animation and drawings are solid and funny. Frank Graham does a brilliant job with the milquetoast Fauntleroy, and uses his beloved conman voice heard in several MGM and Disney cartoons for Crawford. It also has a coherent story that actually builds up to a satisfying conclusion (this is not a trait one finds in many Columbia cartoons). The whole mooching/’chiseler’ concept would be cribbed for the wonderful comic books with these guys (and eventually for just about every DC funny animal comic too).

This is from a time coded VHS that originated from Jerry Beck and circulated almost eight years ago amongst collectors. Those were fun times when people actually sought out this stuff with their own time and money, and not just sit on their ass and wait for stuff to be handed to them on YouTube.

[dailymotion id=x90tyr]

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